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BRANDFORD MARSALIS / Andy Scott - 'Laissez Les Bon Temps Rouller!

from USA

World-renowned saxophonist Branford Marsalis, born in 1960, has always been a man of numerous musical interests, from jazz, blues and funk to such classical music projects as his Fall 2008 tour with Marsalis Brasilianos.  The three-time Grammy winner has continued to exercise and expand his skills as an instrumentalist, a composer, and the head of Marsalis Music, the label he founded in 2002 that has allowed him to produce both his own projects and those of the jazz worlds most promising new and established artists

The New Orleans native was born into one of the citys most distinguished musical families, which includes patriarch/pianist/educator Ellis and Branfords siblings Wynton, Delfeayo and Jason.  Branford gained initial acclaim through his work with Art Blakeys Jazz Messengers and his brother Wyntons quintet in the early 1980s before forming his own ensemble.  He has also performed and recorded with a whos-who of jazz giants including Miles Davis, Dizzy Gillespie, Herbie Hancock and Sonny Rollins.

Known for his innovative spirit and broad musical scope, Branford is equally at home on the stages of the worlds greatest clubs and concert halls, where he has performed jazz with his Quartet and his own unique musical approach to contemporary popular music with his band Buckshot LeFonque.  In recent years, Branford also has become increasingly active as a featured soloist with such acclaimed orchestras as the Chicago, Detroit, Düsseldorf and North Carolina Symphonies and the Boston Pops, in a growing repertoire that includes compositions by Copland, Debussy, Glazunov, Ibert, Mahler, Mihaud, Rorem and Vaughan Williams.

As Marsalis continues to establish his presence in the classical realm, his propensity for innovative and forward thinking compels him to seek new and challenging works by modern classical composers.  One such composer, Sally Beamish, after hearing Branford perform her composition The Imagined Sound of Sun on Stone at the 2006 North Sea Jazz Festival, was inspired to reconceive a piece in progress, Under the Wing of the Rock, which he premiered as part of the Celtic Connections festival Beamishs home country of Scotland in January 2009.  This performance followed on the heels of his two month classical tour with the Philarmonia Brasileira in a program featuring the music of Brazils master composer Heitor Villa Lobos and his friend, French composer Darius Milhaud, allowing the saxophonist the opportunity to more thoroughly engage the music and make it his own.

Marsalis's nearly two dozen recordings in these various styles have received numerous accolades, with his latest CD, Metamorphosen, scheduled for release in March 2009.  Metamorphosen marks the tenth anniversary of Marsalis quartet, which features pianist Joey Calderazzo, bassist Eric Revis and drummer Jeff Tain Watts, and includes original compositions by all four members in a variety of moods, as well as features for Marsalis on tenor, soprano and alto saxophones.

His previous disc, the Grammy-nominated Braggtown, was acknowledged as his quartets greatest recorded achievement to date.  The Marsalis quartets Eternal also received a Grammy nomination as well as virtually universal inclusion in lists and polls for the best jazz recording of 2004.  Marsalis playing on the DVD Coltranes A Love Supreme Live in Amsterdam also received a Grammy nomination for best instrumental jazz solo, while also garnering awards for music and video excellence from the DVD Association.

Marsalis is also dedicated to changing the future of jazz in the classroom.  He has shared his knowledge at such universities as Michigan State, San Francisco State, Stanford and North Carolina Central, with his full quartet participating in an innovative extended residency at the NCCU campus.  Beyond these efforts, he is also bringing a new approach to jazz education to student musicians and listeners in colleges and high schools through Marsalis Jams, an interactive program designed by Marsalis in which leading jazz ensembles present concert/jam sessions in mini-residencies.  Marsalis Jams has visited campuses in the Northeast, Mid-Atlantic, Southeast and Southwest, and established an ongoing Marsalis Berklee Jams series with the Berklee College of Music in 2008.

These diverse interests are also reflected in Marsalis other activities.  He spent two years touring and recording with Sting, and was the musical director of The Tonight Show with Jay Leno for two years in the 1990s.  He has collaborated with the Grateful Dead and Bruce Hornsby, acted in films including Throw Mama from the Train and School Daze, provided music for Mo Better Blues and other films and hosted National Public Radios syndicated program Jazz Set.

Among the most socially conscious voices in the arts, Marsalis quickly immersed himself in relief efforts following the devastation of Hurricane Katrina.  He is the honorary chair of the New Orleans Habitat for Humanity effort to rebuild the city, and together with his friend Harry Connick, Jr. conceived the Habitat Musicians' Village currently under construction in the city's historic Ninth Ward.

Whether on the stage, in the recording studio, in the classroom or in the community, Branford Marsalis represents a commitment to musical excellence and a determination to keep music at the forefront.


Laissez Les Bon Temps Roullez! - Andy Scott

Our daily lives are informed and influenced by any number of experiences, the expected and unexpected. Our good relationships with people are shaped by appreciation, understanding, listening, collaboration and respect. “Laissez les bons temps rouler!” comprises four movements, drawing deliberately upon a melting pot of personal life and musical experiences that are to different degrees associated with the musicians for whom the piece was written.

My great friend Jim Muirhead (clarinet/sax Halle Orchestra) introduced me to Branford Marsalis in 2004. Jim invited Branford to sit in on a jazz quintet gig that I was playing, which he duly did, and we played a two tenor second set. I was immediately struck not only (of course) with his musicianship, but his attitude, humility, views and presence. A few more meetings led to brief discussions about me writing Branford a work with chamber orchestra. Following the World Saxophone Congress in Thailand in 2009, the idea began to take shape and eventually became reality.

Conductor Clark Rundell is an old friend from the Royal Northern College of Music. From the early days of sitting in the RNCM Big Band directed by Clark, we have continued to cross musical paths, most recently when Clark conducted the Royal Liverpool Philharmonic Orchestra with the Wayne Shorter Quartet. (Rob Buckland, Carl Raven, Mike Hall and I were booked as the orchestral sax section – what an experience!)

In 1989 the Apollo Saxophone Quartet (in which I play tenor) became the inaugural winners of the Tunnell Trust chamber music scheme. The Trust is a wonderful organisation based in Scotland that promotes young musicians, and which celebrated its 500th concert in May 2012 with a gala performance featuring the ASQ. The ASQ became great friends with Wendy Tunnell, who sadly and suddenly passed away in 1998, and remain friends with her son Jonathan Tunnell. Wendy’s daughter Philippa Tunnell and I were in the same year as students at the RNCM, and John Tunnell OBE was the original leader of the Scottish Chamber Orchestra. This commission with its Scottish connections is dedicated to the Tunnell family, who work tirelessly to promote music and young musicians in Scotland, with Philippa featured on harp alongside Branford in the third movement, ‘Far Beyond the Stars’.

From a Distance…

New Orleans is a city like no other, with a multicultural society - Afro-American, Latino, European Creole, Cajun, and then add in the sounds of Mardi Gras Indian music. I haven’t been to New Orleans, yet have been hugely influenced by its music for decades. Pictures of the devastating effects of Hurricane Katrina and subsequent rebuilding of the city that continue to be broadcast worldwide connect with everyone. You can only imagine what these people have been through.

Arcturus lights the World Fair

Influenced by the great Wayne Shorter, whose writing and playing sound like no other. The title refers to Shorter’s love of astronomy and science fiction, in this case an event that took place in the year of his birth, 1933.

Far Beyond the Stars

‘They are all gone into the world of light! And I alone sit ling’ring here’ wrote the metaphysical poet Henry Vaughan (1621-1695). These poignant words form the focus of the emotional intensity of the piece, remembering all the people that we knew who left this world too soon.

Laissez les bons temps rouler!

‘Let the good times roll!’, a remark that embodies a spirit of positivity. As we meet in Scotland for a week of music, friendship and collaboration, let us hope that this is the theme of the week!

“Laissez les bons temps rouler” was commissioned by the World Saxophone Congress, and sponsored by UniStage and Creative Scotland.

Duration 18 minutes.

Published by Astute Music www.astute-music.com

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