WSCXVI CONCIERTOS

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DEBRA RICHTMEYER / Lee Actor - Concierto para Saxofón Alto y Orquesta

from USA

Debra Richtmeyer, an internationally renowned pedagogue and soloist, has given recitals and master classes throughout North America and Europe, as well as in Thailand, Slovakia and the Czech Republic. She has performed as a featured soloist with numerous orchestras and bands, including the Dallas Symphony Orchestra and the United States Navy Band and she was the first woman to perform a concerto with orchestra and give a master class at a World Saxophone Congress (1997 and 2009 respectively). Her solo CD, Extravaganza for Saxophone and Orchestra, (Albany Records) was reviewed as "...flawless...an extraordinary album..." by the American Record Guide and her CD with her students, World Without Words (Mark Records), was selected for the 2011 Grammy Entry List. Richtmeyer has been Professor of Saxophone at the University of Illinois since 1991 and she received the University of Illinois Campus Award for "Outstanding Graduate and Professional Teaching" in 2002. Previously a member of the music faculty at the University of North Texas (1981-1991), Richtmeyer holds degrees from Northwestern University, where she was a student and Teaching Assistant of Frederick L. Hemke. She is Past-President of the North American Saxophone Alliance and an Artist/Clinician for Conn-Selmer Incorporated.


Concerto for Alto Saxophone and Orchestra - Lee Actor

This concerto exploits the considerable dramatic and expressive possibilities of the saxophone, treating it as seriously as other instruments more commonly found playing in front of a symphony orchestra are treated. The result is a piece that expresses a full range of emotions, from intensely dramatic to poignantly lyrical to slyly humorous to triumphantly joyful. The first movement begins with an intense, declamatory statement in the orchestra, which builds to a brief climax before ushering in the first entrance of the solo saxophone. After an unaccompanied cadenza-like passage, the solo saxophone presents a transformation of the urgent opening theme into a more relaxed, thoughtful melody, accompanied by strings. This idea is explored and leads to a second, livelier theme with a quirky, extroverted gypsy-like character. After a rousing climax and a cadenza for the saxophone, the opening material returns, followed by a brief and quiet coda. The second movement begins with a lonely saxophone solo, which becomes a wistful, yearning melody accompanied by pulsating strings. As other instruments take up the melody, the saxophone plays increasingly elaborate figurations, leading to a brief but intense climax. The solo saxophone is alone once again, and the main theme is reprised in its simplest form, ending quietly. The finale is colorful and full of energy and high spirits. The vigorous first theme is marked by the relentless presence of triplet rhythms, while the second theme is more playful in character. Soon another new theme is introduced, which leads to a reprise of the material from the beginning of the movement, though nothing is quite the same as before - unexpected turns and harmonic surprises abound. A brief coda ends the movement with a flourish. Composer and conductor Lee Actor (b. 1952) has won a number of awards for his compositions, most recently for Dance Rhapsody, which won second place in the 2011 American Prize for Orchestral Composition. He is currently Composer-in-Residence and Assistant Conductor of the Palo Alto Philharmonic in northern California.

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